Sometimes a little improvisation is all that's needed!

This is a very well known bridge at Sligachan on the Isle of Skye. It’s incredible photogenic from almost every angle.

One of the downsides of this beauty is that there are almost always dozens of tourists - quite understandably - trying to get their own shots and memories from this amazing place.

On this particular day there was no chance of getting the bridge to myself, so a little improvisation was needed - and a decent pair of wellington boots!

Getting into the water allowed me to frame the distant mountains nicely, and I’m really pleased I took the time to think through the problem rather than just giving up on the location.

So why not give it a try next time you’re struggling to find that right shot. A little bit of imagination, and taking your time, can make the world of difference.

Urban Photography - London

n the UK, around 83% of people live in an urban environment, so it's probably safe to assume many people don't have easy regular access to the countryside. City-scapes and street photography are really popular, so why not get your camera out and give it a go.

Below was taken on a tripod, to help slow down the shutter speed of the camera. But, you can achieve great results hand held as well.

Looking for order!

Photo Tip Time! 📷😃

If you can, try and find repeating patterns and shapes in your photography. The human eye makes sense of order and repetition v's chaos and randomness

In this image the "V" shape in the cloud is replicated by the "V" shape created by the ruined wall in the foreground. There's also an inverted "V" made by the stone roof in the mid-ground.

So no matter what the equipment you have or the scene in front of you, if you look for repeating patterns and shapes I guarantee people are more likely to enjoy the photograph.

It's hip to be square!

Where you have a symmetrical image, such as in this example, using a square crop can make a huge difference to the success of the photograph.

It doesn't come out of the camera (or phone / whatever device you're using) in a square format, but is very easy to crop in post-production.

As an aside, this is another well hidden part of the world, Loch Dunmore, in Perthshire. If you get the chance, do pay it a visit. It's a beautiful spot.

Philip Prideaux
The iconic locations are iconic or a reason

I was watching a video on YouTube where the photographer insisted he didn’t want to shoot the same images as everyone else. He wanted to find a unique perspective on the locations, and was critical of photographers who just got the obvious shot and then moved on.

I’m all in favour of finding your own unique images. but I also think you should remember why certain images are iconic. They are that way because they are beautiful. To go to San Francisco and not shoot the Golden Gate Bridge would seem strange. To go to Edinburgh and not shoot the Castle, similarly.

But having got those iconic shots, I agree, move around, find new angles. Find new perspectives, wait for the light to change. In short, experiment.

So to an extent I agree with what the photographer was saying, but I disagree that you shouldn’t shoot the obvious photograph.

This is a picture of Queens View in Perthshire. It’s a location you can stop the car at, get out, point the camera and take a great image without having to work too hard. I didn’t have a lot of time on this occasion, but it would have felt wrong not to stop.

I’d encourage anyone to get out and take the great images for themselves. They may be similar to others, but when it’s your picture you have a real connection to it that you won’t get from someone else’s photograph.

I like the image below, but I know it’s not much more different to a thousand others shot from that spot. But I’m ok with that, because this one is mine :-)

Thanks for looking.

The Great British Weather!

These 2 photos are taken from slightly different points on the same Loch (lake), near my home in Scotland. The sandy photo of Loch More was taken exactly a year ago today, during one of the driest spells in modern history. On that day I actually walked across the Loch. Contrast that with a more typical shot of what it usually looks like, with water around 1.5-2metres high. You really never do know what the British weather will throw at you, and I thought it made for an interesting comparison.

Photographically, they both make interesting shots I think, and I hope you like them. Thanks for looking

LochMoreOverflow.jpg
The lure of the long exposure

While I was reviewing a number of my images for use on my website and facebook page, I came to realise there were a few common themes developing.

One of these themes was definitely my love of a long exposure, particularly when photographing water. A long exposure can be anything from 1/2 second upwards. If you haven’t already tried doing this, it can give wonderful results as the water and clouds in the sky can be blurred, making them milky smooth.

I love that effect, particularly when applied to seascapes or waterfalls. It gives images a real sense of movement - which takes a 2 dimensional image and levitates it to something much more 3-dimensional in nature (though obviously not truly 3-dimensional in the way the eye sees it).

To achieve long exposure, you need to slow your shutter speed down to at least 1/2 a second. Depending on the conditions, particularly the amount of light, you will almost certainly need a filter to achieve this. A standard neutral density filter is a wonderful compositional tool. I use Lee Filters, but there are a number of brands out there. Be careful of cheap filters though, they will often create an unpleasing colour cast. My advice would be to buy the best you can afford.

I cover long exposure techniques in much more depth on my workshops so do please check out upcoming workshops you may be interested in.

This particular image had an exposure time of 90seconds, which completely smoothes out the water and I really love the effect. Thanks for looking!

Luck in landscape photography.

There is a real element of luck in landscape photography. How will the light be? What will the tide be like? Have I already missed the best time of day?

I think that’s true, but you can also increase your chances of being lucky by getting out as often as possible. This week I spent a couple of hours at my local beach, and really nothing was working photographically. I waited until sunset and was just giving up when the light suddenly appeared.

If I had followed my initial thought, which was to give up and go home, I would not have seen this light and would never have gotten the image.

So yes. we are lucky if we get great light - but can you increase your chances of being lucky by just being out there!